A professional microphone preamplifier is defined by warmth, presence and clarity – core elements that make an audio processor check out here desirable. They’ve designed a microphone preamplifier that captures all these elements, with an exceptionally affordable price. With features like variable input impedance, selectable plate voltage, dual differential Class A inputs, digital outputs and sample rates up to 192kHz, it is truly a modern day classic. The ART PRO MPA II Reference Series delivers unmatched warmth, presence, and clarity, making it the ideal input solution for any critical live sound or recording application. ART PRO MPA II is two channel tube preamp with great options for shaping sound.
- ART tube compressors utilize optical electronics , coupled with a 12AT7 vacuum tube gain stage for superior musical performance.
- Center on the unit you will also find the Mid/Side Matrix button which will decode your mid/side mic setup into a stereo left and right signal.
- I thought that “balanced” cables only really mattered if the cable was long, I’m using 10-15′ cables.
- New the unit shines but soon it’s build quality shows.
- We are not able to get online delivery information from our supplier.
Sometimes switching to a dynamic mic can help with powerful vocalists. You’re right in that you only need phantom power for your condenser mic on the preamp. Not on the line in on your audio interface. Do i just connect the mic into the preamp using an xlr then a cable into one of the direct analog outputs of the preamp into the mic/instrument input of the audio interface?
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We will contact you if the final shipping quote differs from the shipping estimate provided at checkout. This item will ship as quickly as possible but there may be a lead time. Updated Nov 08, 2021 | by Hollagully You’re a home studio musician looking to elevate the quality of your… The impedance control ranges from 150 to 2.4K Ohms and can be used in conjunction with the low-cut filter as to keep the lows under control while increasing the impedance. This filter has a smooth 6dB/octave cut that can be swept from 10Hz to 200Hz.
I thought that “balanced” cables only really mattered if the cable was long, I’m using 10-15′ cables. Sorry the I meant to say that I cranked the John Hardy M1 Preamp to 54 db on High Gain Mode. Hi please help I follow most of the way but presumably I need a ‘mono’ balanced femaleXLR to 1/4 inch jack not stereo right? Additional gain is available via the Gain switch (+20dB) and the Analog Output control (+10dB) for a maximum of 70dB total.
It makes sense though, why else would I choose a tube pre unless I wanted to get some tube sound. The addition of the tube warmth meter made it easy to set my gain control. With it tickling the yellow I knew I had some headroom before things would get a little out of control. The analog side of this guy isn’t at all bad. To help you out on your quest to find a great microphone preamp for your home studio, we’ve included links below to detailed reviews of a few models that make a good runner up to the ART Pro MPA 2.
Hi Graham, first of all thank you sincerely for all your very helpful work. I’ve got a vintage Neumann U87i mic going directly into a Scarlett 18i8 interface for lead vocals. In your opinion will adding good grade external pre like a PSolo noticably improve my sound or is the preamp on the Scarlett sufficient enough quality for driving such a great mic?
I watched your video about the GAP Pre 73 and I bought the GAP PREQ73. This is the first Mic Pre I buy and I set up myself, So I have a question. I’m going to pull back a little on the drive on my Art Tube MP because I was getting a hot, crackly, bristling, present, on fire sound. Which sounds good when I say it, but I would like something a little rounder. I’ve been looking into using this method with an Art Preamp and a Focusrite scarlett 2i4 but I want to also include an outboard compressor in the chain. Just end up TRS at the interface so you can go line input.
Versatile Tube Preamplifier Steps Up Your Sound!
I give this 5 Stars just because of the quality you can get from this at this price point. I swapped the Chines tubes with 2 Mullard 12AX7’s. I tracked half of Sho Baraka’s Lions and Liars album with an Avant CV-12 going through this. I have owned this for a few years already. Even though I have some more expensive pre’s now I still use this in the studio.
Behringer Ada8200 Ultragain Digital Microphone Preamp
Performance Guarantee – normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. I’ve had this preamp for over a year now and I’m very happy with it’s creative possibilities, reliability, and flexibility. Replaced tubes about six months ago only because I was detecting signal DEGREDATION, and threw a couple of Mullards in there.